"I love Rauschenberg. I love that he created a turning point in visual history, that he redefined the idea of beauty, that he combined painting, sculpture, photography, and everyday life with such gall, and that he was interested in, as he put it, 'the ability to conceive failure as progress.'"

"Probably only an art-worlder like me could assign deeper meaning to something as simple and silly as Tebowing. But, to us, anytime people repeat a stance or a little dance, alone or together, we see that it can mean something. Imagistic and unspoken language is our thing."

"It took the Metropolitan Museum of Art nearly 50 years to wake up to Pablo Picasso. It didn't own one of his paintings until 1946, when Gertrude Stein bequeathed that indomitable quasi-Cubistic picture of herself - a portrait of the writer as a sumo Buddha - to the Met, principally because she disliked the Museum of Modern Art."

"Almost all institutions own a lot more art than they can ever show, much of it revealing for its timeliness, genius, or sheer weirdness."

"Snowboarding's tough, because you've got to go to the mountains. For me, I love the skateboard season because I get to hangout at home and still be skating. I don't have to travel to Norway or Japan or these crazy places to be snowboarding."

"I am an optimist about the UK. We have been involved in trade with our European partners, which we will always be doing whatever this relationship is. We are a member of the EU. That gives us benefits. But we have to figure out where that is going. In the world, we are a global trader already."

"I have a good relationship with the world. But I don't know what the trick is to maintaining it."

"To leave a mark on the world, remember that shadows are only cast by the presence of light."